Sunday, January 6, 2008

#28: The Dentist (Brian Yuzna, 1996)

As we slowly exit the holiday season, I think it's important to take time to reflect on our lives, count our blessings, and enjoy a mid-nineties film about a killer dentist starring Corbin Bernsen.














The Dentist may be the most unpleasant horror film I've seen. It's not the creepiest, scariest, most effective, smartest, etc., but it made me feel nauseous and squirmy for almost its entire duration, and that usually doesn't happen. (In a psychology class I took, we were instructed to pair up and take turns staring at each other's faces while we looked at a projected image. What the professors didn't tell us was that the image showed a dead crocodile sliced open, containing human body parts inside. The image was initially hard to visually decipher, and we were unwittingly expected to notice when the first sign of disgust registered on our partner's face. The student I paired up with looked at the image first, and disgust showed on his face after about ten seconds. I went next, and displayed what I thought was minor disgust at the image. When I turned back to my partner, he said, "All you did was laugh.") Heretofore, the only two things that made me squeamish were needles injecting veins and genital mutilation. Now I can add tooth and gum torture to the list of things that make me turn my head away from the screen.














Dentist visits are jam-packed with unpleasantnesses ripe for exploitation by horror filmmakers. High-frequency whining, whirring, and buzzing sounds, needles, lasers, scraping, infection, extraction, inability to talk, fear of swallowing and choking on saliva and blood, decay, rot, sedation, helplessness, stern lectures about flossing, expensive oral surgeries that insurance companies weasel out of paying much of, etc. It's all here in The Dentist, and more (including tongue removal), and if that's your idea of a good time, you are in paradise, my fucked-up friend. I, on the other hand, was a shell of a man afterward, ready for a documentary about fluffy bunnies and a cup of chamomile tea. (I picked the wrong weekend to start my month-long abstinence from beer, goddamn it. This would have been a far easier film to take in a pleasantly numb beer fog.)












Ready for a plot synopsis now? Corbin Bernsen plays a successful Los Angeles dentist who has a severe hangup about cleanliness and the lack thereof. He's also experiencing severe hallucinations, causing him to imagine that all his patients have horrible tooth decay and that his wife is giving blowjobs to the pool cleaner. He goes cuckoo-bananas and starts rearranging people's mouths and generally freaking the fuck out. That's about the gist of it. Additionally, a pre-fame Mark Ruffalo has a small part as the agent of a beauty queen getting dental treatment, and Dawn of the Dead's Ken Foree stars as a police detective. The Dentist was directed by Brian Yuzna, producer of Re-Animator, and co-written by Stuart Gordon, director of Re-Animator, From Beyond, and Castle Freak. Bernsen's character loves opera, incidentally. Goodbye for now.








Saturday, December 8, 2007

#27: Def by Temptation (James Bond III, 1990)


Like Christmas Evil, Def by Temptation is the second Troma-distributed film on this list. Also like Christmas Evil, Def by Temptation bears little resemblance to the usual Troma schlock, other than its low budget. (I use the word "schlock" affectionately here. By the way, Troma boss Lloyd Kaufman is in Austin this weekend, premiering Poultrygeist: Night of the Chicken Dead at the Alamo Drafthouse Lake Creek.) Def by Temptation combines the vampire and demon succubus mythologies, an all-black cast, and some solid performances from Bill Nunn, Cynthia Bond, Kadeem "Dwayne Wayne" Hardison, and, in a tiny role given prominent placement on the DVD cover, Samuel L. Jackson.













The seams of the film's tiny budget and bargain-basement special effects show, but Def by Temptation is effective and fun and benefits greatly from Spike Lee cinematographer Ernest Dickerson's direction of photography. Writer/producer/director/star James Bond III has been heavily criticized for his performance in the lead, notably by African-American cultural critic and co-producer of the film Nelson George, who called Bond's performance an artistic failure and a misguided attempt to be a new Spike Lee, but I don't see what everyone is bitching about. He's a little rough, but he fits the role, and his shy divinity student character is charming.
Def by Temptation's story concerns a female vampire/succubus, Cynthia Bond, who hangs out in a New York bar, picking up men. After taking them back to her Gothic brownstone for sex, she kills them. Bill Nunn, "Radio Raheem" in Do the Right Thing, as one of the bar's regulars, constantly and unsuccessfully hits on women, but he's afraid of the vampire/succubus, for reasons unclear to him. (His best line, when he's hitting on two women simultaneously and gets his stories crossed about whether he's a doctor or a kung fu movie producer: "I'm a kung fu doctor. I operate on people who have been injured doing kung and fu.") Kadeem Hardison plays an up-and-coming B-movie actor who narrowly avoids a sexy demise when he has to pass on a one-night stand with the succubus to prepare for the arrival of his old North Carolina buddy, James Bond III, a divinity student testing his faith in the Big Apple. The succubus drops her focus on Kadeem and hooks up with Bond, after she tells her pet snake that he is the last of the line. What line? Apparently, in a flashback sequence, the succubus is responsible for the death of Bond's preacher father, Samuel L. Jackson. Can he withstand the temptation? Can the power of Jesus overcome the power of a sex vampire?
The film's original title, Temptation, was nonsensically punched up by Troma with some misused 1990 hip-hop slang. There's nothing "def" or "stupid dope" or "stupid fresh" about getting murdered by a vampire demon succubus, but what can you do? Bond III, a former child actor, appears to have been scarred by his sole directorial effort. Though the movie made a small profit, Bond has neither acted in nor directed any film since. If the Internet Movie Database can be believed, he currently works as a CEO for a film and music video production company in Colorado Springs.
My favorite line in the movie comes courtesy of the film's first victim of the succubus, a bartender who fancies himself a Don Juan: "You can tell a lot about a woman by the bed she sleeps in. This freaky bed tells me that you are one hot-natured freakazoid who can't wait to jump my bones." No Academy Award nomination for best screenplay? No wonder Bond retired from filmmaking.