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Remember what the future looked like in 1990? Yep. That's right. Monochromatic post-apocalyptic urban wastelands, killer robots, industrial rock soundtracks, wise-cracking British sidekicks, midgets buying and selling scrap metal, crazy new street drugs, surprisingly outdated yet futuristic computer technology, lawlessness, sinister government plots to control overpopulation. That's music video director Richard Stanley's feature debut, Hardware, in a robo-nutshell. Basically a cross between Steel Magnolias and Caddyshack (I mean, Mad Max and The Road Warrior, Blade Runner, and Total Recall), Stanley's film opens with goth band Fields of the Nephilim's Carl McCoy wearing some very sinister clothing and walking through a monochromatic desert littered with scrap metal. He finds a robot head and claw buried in the sand and takes it into the urban wasteland to sell to horrible actor Dylan McDermott and the previously mentioned little person. Turns out, McCoy is a "zone tripper" (He was a zone tripper, one way ticket, yeah/It took me so long to find out, and I found out), which means he's a mercenary who wanders the post-2Pacalypse looking for shit he can sell.
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I have a very high tolerance for this kind of thing, but I can't recommend this to anyone who doesn't. Stanley clearly believes he's a major artist, and the pretension in this movie is so thick you could cut it with a slim volume of Foucault essays. He's a terrible writer, and the characters are wooden. However, the film looks great, and would probably look even better if it wasn't available only on VHS. The killer robot looks pretty sweet, especially after Jill paints an American flag pattern on its head (though this is probably another stab at pretentious symbolism: The robot is us! or The robot is U.S. imperialism!) Stanley's rock-video origins are apparent in the casting of McCoy, Motorhead's Lemmy as a cab driver, the voice of Iggy Pop as radio DJ Angry Bob (who brags about his "industrial dick"), and a soundtrack that features Iggy, Motorhead, Public Image Ltd., and Ministry's "Stigmata." The Ministry track is played over a scene showing GWAR on TV. Glad to see that GWAR survived the apocalypse.
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I realized I wrote a post on Film-Watching Robot last night chastising people for voluntarily going to see the new Indiana Jones film even though they had low expectations, but I gladly, happily wasted ninety minutes of my life watching this entertaining piece of shit. Yes, I am a hypocrite. I love you all!
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3 comments:
A couple of my old roommates were obsessed with this movie. I think that they rented it because they thought the cover looked funny and then were blown away by the fake-artiness of it. There's nothing weirder than wannabe Art when you're least expecting it.
This information is very interesting, thanks for sharing, I would like get a update from this post called "#39: Hardware (Richard Stanley, 1990)"...thanks for sharing!
haredware(m.a.r.k 13) was an unique
vision of scifi biotech terror that
has a global awareness that if we not carefull about our ozone about toxic experiments we can lead to this nightmare for real where our
clouds can be red and dangerous to breathe but the film also has a frankenstein twist about ones creation can gets haywire but brilliantly
excuted story with nightmarish sets an fx apl;enty and great
cast performances and outdo ridley scotts
scifi yawn nior bladerunner and stacy
travis was great as the kimono laddend herione i loved the film throughout and a must see film .
20 out of 20.
frankie smales
(frankie smales movie and tv review uk)
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